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To say the least, this is heavy and like the chief of Ixopo I am not sure if we as South Africans have the answer yet. Yet, Paton doesn’t give easy answers – even political answers – to a country deep in pain, but let you cry out with him, “Nkosi Sikeleli Afrika!” (God save Africa!). I am amazed how love and understanding is born out of hate. I am stunned as how Paton draws you in, let you bleed emotionally with Mfundisi (Reverend) Stephen Khumalo and his ‘opposite,’ James Jarvis. Paton sketches the contrasts of South Africa and the opinions of the different racial groups towards living together so accurate that the book has the feel of a documentary on the one hand, but driven by a deeply moving story arranged into three acts which can be summarised like this, act 1: the prodigal son goes to the forbidden place and his father goes in search of him act 2: what if the son wants to return, but he cannot because he is corrupted? act 3: a loss of innocence or an opportunity to renew. The story is gripping and lavishly beautiful. It felt as if I walked into the book… a book that was banned by the then Apartheid government. I am astonished that the places (suburbs, townships, shacks, even the Midlands of Kwa-Zulu Natal) as painted by Alan Paton are so easily recognised. Something resonates with my soul as I see so much of this pre-Apartheid world still alive in the Johannesburg of today. I live in Johannesburg, I am a minister of religion, I am an Afrikaner and a Policeman. The more things change the more it stays the same. (incl.A word painting: gripping, breathtaking & moving
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